大型圓形銅鼎的發(fā)展史

說起銅鼎的發(fā)展史，就要從追溯到我國的商周時(shí)期的青銅器時(shí)期，商朝出土的銅器不是很多，數(shù)量不多，西周、東周兩個(gè)朝代的銅鼎很多，平民百姓都可以用到，銅鼎在古代代表帝王的象征，鼎是禮器和祭旗是皇權(quán)的象征，固有天子九鼎之說，楚王問鼎就證明銅鼎的重要意義，很多漢墓也出土過銅鼎，現(xiàn)代社會(huì)中銅鼎成為企業(yè)上市的最佳禮品。

Speaking of the development history of the bronze tripod, we should trace back to the Bronze Age of the Shang and Zhou dynasties in China. There were not many bronze wares unearthed in the Shang Dynasty, but many bronze tripods in the western and Eastern Zhou dynasties, which can be used by the common people. The bronze tripod represented the symbol of the emperor in ancient times. The tripod was a ritual vessel and flag offering, a symbol of imperial power, and inherent in the theory of the nine tripods of the son of heaven, The success of the king of Chu proves the significance of the bronze tripod. Many Han tombs have also unearthed the bronze tripod. In modern society, the bronze tripod has become the best gift for enterprises to go public.

鼎，古代原是飪食器，后來變?yōu)榻y(tǒng)治階級(jí)政治權(quán)利的重要象征，視為鎮(zhèn)國之寶和傳國之寶，也是明貴賤，別上下等級(jí)制的標(biāo)志。史載，天子九鼎，諸侯七鼎，卿大夫五鼎，士三鼎或一鼎。銅鼎，是中國古代最重要的一種禮器。在王墓出土了一套鼎，共九件，這套鼎又名升鼎，這九個(gè)鼎大小不一，依次縮小。

The tripod, originally a cooking utensil in ancient times, later became an important symbol of the political rights of the ruling class. It is regarded as a treasure of the town and the country. It is also a symbol of the Ming Dynasty's noble and cheap, and the hierarchical system. According to history, the emperor has nine tripods, the princes have seven tripods, the officials have five tripods, and the scholars have three tripods or one tripod. The bronze tripod is the most important ritual vessel in ancient China. A set of nine tripods were unearthed in the king's tomb. This set of Tripods is also known as Shengding. The nine tripods vary in size and are reduced in turn.

在最大的首鼎上刻有長達(dá)469字的銘文，記述了中山國討伐燕國，開辟疆土的事件。這是我國目前所發(fā)現(xiàn)的刻銘最長的一件戰(zhàn)國器物，彌足珍貴。九鼎的使用，反映出中山國政治制度已經(jīng)漢化，采用了中原大國的禮制，同也有力地證明中山國已躋身于強(qiáng)國之列。 由此傳下來的歷史，銅鼎一直是中國人們的吉祥之物。

The largest first tripod is engraved with an inscription of 469 words, describing the event of Zhongshan's crusade against Yan and opening up its territory. This is the longest inscribed Warring States artifact found in China, which is very precious. The use of the nine tripods reflects that the political system of Zhongshan has been sinicized and adopts the ritual system of the great powers in the Central Plains. It also strongly proves that Zhongshan has become one of the great powers. In the history handed down from this, the bronze tripod has always been a mascot for the Chinese people.

目前，銅鼎已經(jīng)匯入了人們的主流生活，不在僅僅局限于皇權(quán)的象征，銅雕也可以是有社會(huì)背景的或是有身份的人的身份地位的象征，不僅，銅鼎的外觀給人以一種沉穩(wěn)大氣的感覺，同時(shí)，銅鼎在鎮(zhèn)宅，和利風(fēng)水方面有著杰出的性能。銅鼎不僅內(nèi)涵一定的文化背景，同時(shí)也是中華五千年文化的凝結(jié)，不是一般人可以擁有的，當(dāng)然，銅鼎除了具有一定是鑒賞價(jià)值，還具有一定的收藏價(jià)值，而且，隨著時(shí)代的發(fā)展，年代的增長，銅鼎工藝品將有可能具有很高的升值空間。

At present, the bronze tripod has been incorporated into people's mainstream life, which is not limited to the symbol of imperial power. The bronze carving can also be a symbol of the status of people with social background or status. Not only does the appearance of the bronze tripod give people a sense of calm and atmosphere, but also the bronze tripod has outstanding performance in town house and Feng Shui. The bronze tripod not only contains a certain cultural background, but also the condensation of China's 5000 year culture, which is not owned by ordinary people. Of course, the bronze tripod not only has a certain appreciation value, but also has a certain collection value. Moreover, with the development of the times and the growth of the times, the bronze tripod crafts may have a high appreciation space.